We Must Stop The Road For A Cell Phone And Drive At The...

People may urge that they are responsible enough to operate a cell phone and drive at the same time, but if this were the case, why is it that many injuries and deaths have been involved inquiring these two? We are completely distracted when using our phone. Their not only being used for talking, but sending texts, playing games, and simply not concentrating on the road. When your not focusing specifically on the road you are at risk. Not only putting yourself in danger, but passengers, other vehicle, and bystanders as well. When being a responsible driver it s important to give your full attention to the road. Focus on the task and get it completed without any complication. It s also important to know your surroundings. Scan the roadway and keep your eyes alert. Taking your hands off the wheel, your eyes off the road or your mind off of the driving task can be very dangerous. Driving entails concentration, calmness, and with consideration and respect for others. And at the same tim e, a driver should ensure proper and total control of his vehicle at all times. That means a driver must not allow anything to take their attention from the road, therefore good anticipation and concentration will help to prevent these usual incidents becoming accidents on our roads. The safety of others depends on you when you are on the wheel. Study shows that each day in the United States, more than 9 people are killed and more than 1,153 people are injured inShow MoreRelatedTexting While Driving (Speech) Essay1220 Words   |  5 PagesIntroduction: Good morning everyone, today we call our world as busy world or multitasks world and with the rush-rush-rush mentality most people have these days; its no surprise that more and more people are driving while distracted. Eating, talking or texting on a mobile phone, making adjustments to the radio, talking with passengers -- all take a drivers focus off of the road. Imagine this, its a beautiful day for a drive, the sun is out, windows rolled down, the music in on softly, justRead MoreCell Phone Use While Driving1503 Words   |  7 Pagesbe causing the driver to drive so erratically. Is the driver drunk? Is the driver preoccupied with eating his or her lunch? Is the driver busy attending children in the backseat? Once you pull along the side you realize that was not the case, instead you notice the driver has a cellular telephone up to her or his ear chatting away, or even worse you pass and see the driver holding a phone texting, you pass by and you feel so discussed.†(Noder, Shannon L., 2010) Cell phones are among the most popularRead MoreThe Dangers Of Texting While Driving1252 Words   |  6 Pagesmajor causes of road accidents. As a matter of fact, accidents caused due to messaging while driving has superseded those, which are instigated by drunk drivers. Drivers are inclined to the belief that they can send some messages without negatively impacting on their driving abilities. However, studies have revealed that drivers are not as capable of multi-tasking as they believe they are. Researchers have discovered that drivers who text while driving look at the road 400 times less compared toRead MoreRegulate Use of Cell Phones on the Road1330 Words   |  6 PagesWhen a cell phone goes off in a classroom or at a concert, people are irritated, but at least lives are not endangered. When on the road, however, irresponsible cell phone users are more than irritating: They are putting our lives at risk. Many of us have witnessed drivers so distracted by dialing and chatting that they resemble drunk drivers, weaving between lanes, for example, or nearly running down pedestrians in crosswalks. A number of bills to regulate use of cell phones on the road have beenRead MoreDriving With Cell Phone Ban Essays1043 Words   |  5 Pagesaccident on the Interstate and three young people were killed. During the investigation it is revealed that one of the drivers was using a cell phone and failed to see the brake lightss of the car in front of them that had swerved to avoid hitting a deer. Though our instinct is to do what we can to prevent such tragedies in the future; we cannot control the weather. We can restrict driving at night, but that wouldn’t be reasonable. Nor would it be possible to restrict wildlife movement. Many think thatRead MoreWhy Drivers Should Not Be Mandatory1635 Words   |  7 PagesIn the United States, turning 16years is taken as an achievement for most teens because it is finally the time they get to drive a vehicle. A person end ures painful driving lessons from his or her overprotective parents who grip on the passenger seat for dear life and lecture him or her for driving a bit fast.lastly, when a person is ready for driving test, he or she take the nerve-wrecking driving tests where if unlucky the driving supervisor would be a grumpy looking man who appear so tough thatRead MoreDriving Down The Interstate Of A Long Weekend Together1372 Words   |  6 PagesDRIVE SAFE My husband and were driving down the interstate in anticipation of a long weekend together. I randomly glanced at the car to my right, I was shocked at what I saw; a woman putting on mascara, on the interstate nonetheless. I decided to observe other drivers we passed, to note their different activities. Here is what I saw, talking and texting on the phone, eating, turning to check something in the back seat, and fighting with children. I came to the conclusion that the roads are filledRead MoreWhy Driving and Cell Phones Do Not Mix Essay1544 Words   |  7 Pageson a cell phone while driving is careless and extremely dangerous not only to the driver but also to others to others driving on the road as well. Cell phones cause distraction while trying to drive, and people are no longer just talking on their cell phones, they are also text messaging, and surfing the worldwide web. Many believe that hands-free devices could be a solution to this problem, but the fact is hands free de vices are just as dangerous to use while driving as hand held cell phones. BecauseRead MoreTexting While Driving Is Dangerous658 Words   |  3 PagesTexting While Driving is Dangerous When sending a text message while you are driving your eyes leave the road for an average of 4.6 seconds. It may not seem like much time, but a lot can happen in that small amount of time. In five seconds, a silver Toyota 4 Runner can tap the left side of your green Honda Civic at 65 miles per hour and send you flying across a freeway. In five seconds a car can travel the distance of a football field. In five seconds your neighbor’s daughter can run out intoRead MoreThe Banning Texting While Driving1463 Words   |  6 PagesMany states prohibit texting while driving. In fact, laws have been established that prevent drivers from using their cell phone unless it is an emergency. About 73% of drivers say it is easy to text and drive, however 1.3 million car crashes are caused by texting and driving. An effort to band texting and driving in Texas is at limbo in the Senate and was one vote shy of having enough members agree to bring it to the floor. (Tinsley 1) Senator Judith Z affirini, D-Laredo states that they are so very

Exploring Whether All Morality Should Reduce to Respecting...

Kantian Ethics states that all morality can be reduced to respecting autonomy. This theory has faced criticisms as well as support. Its most plausible idea is that autonomous agents are capable of making their own decisions and even if their choices may not be the best for them, these choices should be respected. However, criticisms of this theory include concerns such as 1) respecting autonomy is not equivalent to respecting the autonomous agent, 2) the theory does not concern (or concerns very little) with non-autonomous agents such as children and non-human animals, 3) it is implausible that respecting autonomy is the only factor determining morality, and 4) respecting others’ autonomy does not follow from respecting one’s own autonomy.†¦show more content†¦In response to this predicament, Rawls presents Contractualism, where what is right is what everyone would agree to behind a Veil of Ignorance. While behind this veil, an individual is not aware of their social class, sex, race, and any other psychological traits that may prevent one from making a fair judgement. Prioritizing autonomies while behind the Veil of Ignorance can be presumed to be fair and just. However, this theory is purely hypothetical and due to this fact, even if we can make ourselves be unaware of our social class, sex, race, and other psychological traits choices made behind the veil seem irrelevant to reality. Furthermore, agreement behind the Veil of Ignorance does not ensure that the decision is actually permissive because people may agree to a sacrifice if the probability of it happening to them is rare. For instance, people may agree to harvesting organs from healthy individuals to save a greater number of individuals but this does not mean that this act is morally permissible. I have presented how Rawls’ Contractualism fails to support Kantian Ethics which required prioritizing between one’s own autonomy against another’s. Even if the pr oblem of conflicting autonomies were resolved, Kant’s theory still faces criticisms such as the fact that the theory does not respect an individual and their decisions as much as it respects autonomy, does not efficiently discourage unequal cruelty to non-autonomous agents, and does not imprint any value onShow MoreRelatedWomen Entrepreneurs: a Critical Review of the Literature12149 Words   |  49 PagesAbstract Increasing numbers of women are becoming leaders of their own businesses, and many are struggling to achieve success. A growing body of theory and research is exploring how different women come to business ownership, their unique leadership challenges and strategies for success, their personal change and the processes of leadership development they experience. This paper reviews literature addressing women business owners from the general perspective of understanding their leadershipRead MoreDefinition of Adolescent Development14194 Words   |  57 PagesOrganization: WHO defines adolescence both in terms of age (10-19 years) and in terms of a phase of life marked by following special attributes: †¢ Rapid Physical growth and Development †¢ Physical, social and psychological maturity, but not all the same time †¢ Sexual maturity and the onset of sexual activity †¢ Experimentation †¢ Development of adult mental processes and adult identity †¢ Transition from total socio-economic dependence to relative independence. G.R. MedinnusRead MoreDefinition of Adolescent Development14200 Words   |  57 PagesOrganization: WHO defines adolescence both in terms of age (10-19 years) and in terms of a phase of life marked by following special attributes: †¢ Rapid Physical growth and Development †¢ Physical, social and psychological maturity, but not all the same time †¢ Sexual maturity and the onset of sexual activity †¢ Experimentation †¢ Development of adult mental processes and adult identity †¢ Transition from total socio-economic dependence to relative independence. G.R. MedinnusRead MoreIntercultural Communication21031 Words   |  85 Pagesthe cultural barriers encountered when stepping into foreign grounds it is vital for business people to fully understand the cultural differences that exist so as to prevent damaging business relations due to intercultural communication gaps. We should also be aware of the reasons for the development of the world into a global system: a. The development of technology has enabled a constant flow of information and ideas across boundaries. Communication is faster and more available than ever.Read MoreStephen P. Robbins Timothy A. Judge (2011) Organizational Behaviour 15th Edition New Jersey: Prentice Hall393164 Words   |  1573 Pagesreproduced, with permission, in this textbook appear on the appropriate page within text. Copyright  © 2013, 2011, 2009, 2007, 2005 by Pearson Education, Inc., publishing as Prentice Hall. All rights reserved. Manufactured in the United States of America. This publication is protected by Copyright, and permission should be obtained from the publisher prior to any prohibited reproduction, storage in a retrieval system, or transmission in any form or by any means, electronic, mechanical, photocopying, recordingRead MoreNespresso Co. Analysis15084 Words   |  61 Pagesinstant coffee and this particular product brought the company to the position of leader on the mass coffee market . 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Judgement on Charles Warren and the Ripper investigation Free Essays

Charles Warren became head of the Metropolitan Police when they were in dire need of help after the incident that occurred in 1886. Police officers and officials were all shaken up and the police force was a mess. When Charles Warren came into action the police force changed. We will write a custom essay sample on Judgement on Charles Warren and the Ripper investigation or any similar topic only for you Order Now Although he had several difficult and complicated problems to deal with; I think he done an outstanding job in taking control over things which proved grateful from the many men and women that commended all that he did. He received countless complimentary letters which I think says it all. He was very effective in keeping the police force calm in order to handle any problem that arose. In his compliments he received one from the Home Secretary, Commander in Chief; H. R. H, The Duke of Cambridge, The Prince of Wales and Lord Salisbury which was a huge honour for him which he so rightly deserved. On top of all the compliments he was awarded with a Knight Commandership of the Order of the Bath. He dealt with other difficulties which included burglaries, muzzling of dogs along with everything else going on which lead to the police being abused by the irritated public. Despite all of these positives, people began to criticise him in the case of Jack the Ripper, people would slate him, accuse him of things he didn’t do and generally oppose him. He was unfairly accused of not catching the murderer and frequently had to face the press with outrageous thoughts and articles which gave him a bad image. I disagree with this for he coped very well with what problems he was faced with. The case of Jack the Ripper was his most difficult case but he faced it head on and didn’t back down to defeat. I believe people could not see the inner workings to all that he did. After all the issues that he still received he resigned which left officers in dismay and disappointed for the great job that he did do. To conclude I believe that he was very effective as Head of the Metropolitan Police for all of the difficulties that he dealt with in a sensible manner which enabled the public to feel safe and the officers around him to be at ease, he improved Police investigation strategies which gave him great respect. I also think that all of the criticism he received off of the public and press he still continued to do his work and did not let things overcome him. Overall he really did help the Metropolitan Police to improve and was a very good man in what he did and achieved. How to cite Judgement on Charles Warren and the Ripper investigation, Papers

Painting the town Essay Example For Students

Painting the town Essay In Sentimental Journeys, her essay on the 1989 Central Park wilding, Joan Didion argues that Newyork is defined in the public mind by narratives that obscure not only the citys actual tensions of race and class but also the civic and commercial arrangements that rendered those tensions irreconcilable. As exhibit A, Didion offers the testimony of Central Parks architect Frederick Olmstead, who feared that while Central Park could provide a haven for bourgeois New Yorkers during the day, at night criminals and have-nots might find a refuge there. Accordingly, Olmstead sank the transverse roads below grade level and insisted on bright lighting to prevent marauders pursued by the police from escaping into the obscurity of the park. Despite this evidence of class division inscribed in the very drafting of Central Park, the wilding spurred opportunistic politicians and angry joggers and op-ed writers to imagine another scenario. They claimed the park had once been safe and now was not. During and after the trial, there were those who insisted that going into the park at any hour was their right, as if they could, by sheer will, pave over social and economic grooves that had been worn into the citys asphalt for at least a century. Since much theatre in New York also relies upon those sentimental narratives Didion detects ignoring race and class issues while yearning nostalgically for an imaginary past it is at once refreshing to talk with Anne Hamburger, artistic director of the site specific company En Garde Arts. For seven years, Hamburger has produced theatre from a network of dilapidated offices, the most recent of which is on the second floor of a downtown Manhattan parking garage. On one side of the room, a row of windows overlooks an indoor sea of Mercedes and Volvos. Another wall is pocked with electrical outlets proof, according to Hamburger, that the office used to be an illegal gambling outfit. The whole space is about the size of a one-bedroom floor-through. Grubby furniture fills the front room, where the two full-time En Garde Arts staffers stare into computer terminals. A pressed-board table dominates Hamburgers office. Black filing cabinets sulk in one corner. A Post-it on the wall nudges the staff to raise $30,000 by August. Hamburger jokes that En Garde Arts manages to produce two shows a year because they have a low administrative overhead. Her office could easily be the site of one of her own pieces. In this drama, Hamburger could star as herself: producer of a site-specific company tiptoeing through a minefield of sites, each of which stands empty, unused, a testimony to neglect and abandonment: a sentimental narrative waiting to explode. Hamburger is the Joseph Papp of the 21st century, says Ben Mordecai, chairman of the theatre administration department at the Yale School of Drama, where Hamburger received her degree in 1986. Joe Papp did his first work in the park. Anne did too, Mordecai points out, referring to En Garde Artss first work, The Ritual Project, which took place on a grassy knoll in Central Park in 1987. Mordecai remembers that Hamburger, who studied sculpture and performance art before attending Yale, knew what her first project would be within two weeks of her arrival in New Haven. She wanted to produce The Odyssey on the banks of the Charles River. I told her there were no rules against that, but that it was impossible, he chuckles. Mordecai continued to play devils advocate by alternately encouraging Hamburger and impressing upon her the difficulty of her self-appointed mission. Hamburger never wavered. Instead of doing the traditional assignment for third-year administrative students an internship at Yale Repertory Theatre Hamburger asked to start a site-specific theatre company. En Garde Arts was born. The fledgling producers focus on site-specific theatre stems partly from her frustration with the not-for-profit model. Artists have to come up with new ways of doing business, she announces, predicting that even if the National Endowment for the Arts survives its present crises, funds will be limited. She imagines En Garde Artss events binding together a diverse community: devout theatregoers and baby boomers who grew up with television and rock concerts, neighborhoods where residents wouldnt ordinarily go to theatre, and doyens of drama. Hamburgers vision differs, however, from that of Corner-stone Theaters Bill Rauch, whose company works with host communities in areas where theatre is rarely seen to develop gritty interpretations of classic plays. While both Rauch and Hamburger agree that theatre has to reach a wider audience, Hamburger eschews the classics, prizing eclectic voices influenced by other disciplines. Because Hamburger works so closely with areas of New York unaccustomed to theatre, she prides herself on neighborhood advocacy. Although En Garde Arts does not give away tickets to average theatregoers, it donates batches to neighborhood residents. Hamburger is also a hands-on producer, approaching her projects as part of an artistic team. One of her first collaborators, playwright Mac Wellman, gives Hamburger the ultimate compliment when he says that she didnt treat him like a widget in a machine. Part of her success springs from the types of projects Hamburger takes on. Many of them seem outlandish or undo-able; the odder the better. She brags about her ability to handle projects nobody else will produce with a heady combination of naivete and bravado. Squat Theater said, |We need a goat in our show; Reza Abdoh said, |I need a 120-foot table and we figured it out, she asserts as we speed uptown in the company of playwright Charles Mee Jr. to take a look at the gothic expanse of the abandoned Towers Nursing Home on 106th and Central Park West, the site of Mees Another Person Is a Foreign Country (1991). Mees script initially called for a cast of more than 20, two little people, Siamese twins, and a deaf actor. Only the Metropolitan Opera or the Towers could have housed Another Person, Mee jokes. But because the Towers loomed far uptown of the theatre district, the play, a whirling meditation on the plight of social outcasts, was able to speak to a broader audience than Metrop olitan Opera subscribers. Blood Brothers Essay QuestionsThe story of Hamburgers latest piece, Vanquished By Voodoo, is also something of a cautionary tale. En Garde Arts commissioned performance artist Laurie Carlos to write a piece to be performed at the historic Freedom National Bank in Harlem. As usual, Hamburger planned a series of community meetings with neighborhood officials. In the months before Vanquished by Voodoo went up, Hamburger contacted businesses within the community to get them to sponsor tickets for disadvantaged people. She got in touch with the Housing and Urban Development Commission and Congressman Charles Rangels office. She hooked up with local arts groups, sent waves of fliers and posted signs on buildings to announce the upcoming event. But the bank site fell through. The cavernous, crumbling Dwyer Warehouse at the fork of St. Nicholas Avenue and 125th Street was Hamburgers second choice. Then Carlos declined to accompany Hamburger to community meetings, claiming that she did not want to be anyones black face in this project. Left to cope with squabbling factions alone, Hamburger floundered. Hostility oozed from Harlem, which she described as another city with its own rules. Here Hamburger was the outsider, a condition she might have blunted, perhaps, if Carlos had supported her. The Vanquished by Voodoo debacle, though, cannot be entirely explained by neighborhood hostility, since En Garde Arts had encountered resistance before. During rehearsal of Another Person Is a Foreign Country, some of the residents of the welfare hotel next door to the Towers complained about the noise. Hooligans threw bottles at the gates; Hamburger actually chased after some of the boys. In the end, the boys and the welfare hotel residents, leaning out their windows, watched the show again and again. When, days before the opening of Voodoo, the Safety Commission pronounced the Dwyer Warehouse unsafe, Hamburger and her production team hustled to compensate. They built scaffolding and moved the piece outside, to the front of the building. They barricaded a piece of the street near Hopkins Square and put up bleachers. But despite such efforts, the surrounding chaos absolutely overpowered the action onstage. The performers could not compete with the constant distractions of the area; at times the audience focused, not on the actors, but down St. Nicholas Avenue, where, it was clear from the wailing of sirens, unspeakable crimes were being committed. Still, neighborhood people slunk around the blue police barriers and sat in the bleachers. A pair of cops got out of their car to watch for awhile. Kids walked and rode their bikes through the area blocked off by barricades. Little girls jumped rope beneath the scaffolding. In the narrative about producing Voodoo that appeared in the pages of the Village Voice, a poorly chosen phrase En Garde Arts dared to dream to bring Laurie Carlos to Harlem was seized upon to accuse Hamburger of racism. As Beth Coleman put it in her feature-cum-expose in the Voice, Hamburger dared to dream to hire a chartered bus to carry an audience up to 125th and St. Nicholas Ave. Laurie Carloss main objection to this version lurked in the implied causal relationship between En Garde Artss dreams and Carloss appearance in Harlem. And Carlos ducing. People should not have to produce Afro-American work to get grants, she said in a telephone interview. In her own narrative, Hamburger ignores lesser charges and cuts directly to issues of racism and betrayal. If she had known that Carlos was not going to take part in community meetings, she would never have signed a contract with her, Hamburger insists. Whats remarkable is not the Rashomon effect, but the way these competing narratives, overlook the big picture: All three stories ignore history, the difficulty of En Garde Artss undertaking, and the larger uncontrollable forces in New York. Hamburger and Carlos, as Chuck Mee points out, fail to see that they were essentially on the same side. In the near future, Hamburger hopes to develop what seems to be an oxymoron: more general site-specific work. The two full productions she plans for the 1992-93 season, for example, are mobile, not New York-based. Mac Wellmans Strange Feet, a conversation between two dinosaurs, will be sent to natural history museums all over the country. Len Jenkin and John Arnones actorless Funhouse is a traveling circus with detachable segments that can be set up in any football field. Of the other three pieces in the works, Anne Bogarts Marathon Dancing, part two of her American Trilogy, can also tour, since, Hamburger says, theres an historic ballroom in every city. Anna Cassios Swapmeet, which takes place in a flea market, also seems to have legs. The new emphasis on traveling work fits handily with Hamburgers populist vision. But her politics are not only geographical. The sites she chooses also serve to expose the theatre communitys failure to address New Yorks diversity as well as the physical limitations of traditional theatre spaces. Tickertape parades drowning the city in white bright lights of Broadway; the revenge of broken hearts the safety of Central Park like the sentimental narratives Didion finds in New Yorks history, Hamburgers work suggests that anything can happen in the streets, that class and racial lines can be overcome and that theatre, brought to theatreless neighborhoods, can heal a city crushed by politics and indifference. Annie Hamburgers work suggests that one woman can change New York.